It can be the color of the start of a
golden day, it can be the color of the October moon…it is the color of a
winter’s fire, it is the last color of an ember.
It is the color of honey, it is the
color of the horizon on a flight at 35,000 feet sometime around dusk…if you’re
heading west.
It is between the angry red and the
mellow yellow. It is associated with the
unconventional, amusement…like cut flowers. It is associated with danger, aroma,
taste…Autumn.
The beauty of a tree on fire with its leaves in full
death-bloom. Fleetingly fast…before
changing to simple browns and falling.
Turbulent blues offset the fineness of
the color, the straight contrast. It is
heat against cold. It is day versus
night. It is a beginning…the color of
something starting, alighting, catching flames…it is the color of smoldering.
It is van Gogh in a letter to his
brother: "searching for oppositions of blue with
orange, of red with green, of yellow with violet, searching for broken colours
and neutral colours to harmonize the brutality of extremes, trying to make the
colours intense, and not a harmony of greys.
Monet’s
painting, Impression, Sunrise coined an entire art movement.
It is a
difficult color, it is sometimes maddening.
The sun only stays in that mood for just a bit, usually earliest in the
morning. The moon? Only in certain times, and only for a
bit.
You have to capture it, remember it…try
to keep it in your mind’s eye.
Broken
colors…I like that…they imply disrupting…upsetting the normal…uneven keels…slippery
slopes…some danger perhaps…willingly going along anyways.
Starting
a day with a hint of it…finding a blue evening with just a touch of it…
I like to think that you are like that…stunningly
stark against the grays of everyone else…enough to inspire your own art
movement.
Cold.
Dark. Gray.
Warm.
Orange. You.
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